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If you press the trigger again, it'll suddenly snap into place and cause your body to move upwards. When you release one, it'll float in mid-air and move as you look around with the headset, finally hovering over a hand hold if it's within your reach. It's a breathtaking view and when I turn around, I see that my body is represented by two dismembered hands, which can be clenched using the left and right triggers on the gamepad. Within a few seconds, I'm dangling from a tiny hand hold, peering down at the glassy ocean hundreds of feet below. When I dive into Crytek's rock-climbing romp, I start halfway up a rock face in Halong Bay, Vietnam. For another, The Climb is being pitched as a straight-up video game, albeit with simple controls, whereas Everest VR is more of a cinematic tour with minimal challenge and exploration. For one, the creators are conveying different places and activities, which in turn have different emotions attached to them. The two experiences use different techniques to lead the player into feeling certain sensations. The latter, which takes you to some of the most iconic and dangerous parts of Mount Everest, triggered a surprising sense of vertigo as I walked nervously across an icy crevasse.

The former, an Oculus Rift game by Crytek, duped my body into sweating at a few crucial checkpoints peppered throughout the cliff face. Take two VR climbing projects that are currently in development: The Climb and Everest VR. Once they've finished asking about the possibility of vomiting, the conversation turns to: 'And how real does it feel?' 'Do you believe you're really there?' Truth be told, I've never had that sensation - a complete and utter submission of my senses - although developers are getting better at tricking my brain for a few fleeting moments. When I talk to friends and family about VR, their most pressing questions are usually about immersion.

The climb vr update 2